Here are some of the images I took on Thursday, September 18, of autumn color in the North Dakota Badlands. I have a lot of photos to go through yet, but will take it a batch at a time. Am so glad I went up to Medora that day, as the conditions were nearly perfect. The leaves were a brilliant yellow, the sky a nice clear blue, with an occasional delicate cloud, and there was hardly any wind. It got up to around 90 degrees, which is a little on the warm side, but considering the weather that will be coming, nothing to complain about!


Some of the trees had turned completely yellow, and were a real vivid accent in the landscape of Badlands, sagebrush, and prairie grasses. I adore this country, and couldn’t imagine any scenery that would be more pleasing to me. The way I feel about North Dakota is similar to the way Georgia O’Keeffe felt about New Mexico. She said, “When I got to New Mexico, that was mine. As soon as I saw it, that was my country. I’d never seen anything like it before, but it fitted me exactly. It’s something that’s in the air; it’s different. The sky is different, the wind is different. I shouldn’t say too much about it because other people may be interested, and I don’t want them interested.”

This was a peak day of the entire year; every leaf and blade of grass seemed almost to be singing. There weren’t really any stretches along the way that wouldn’t have been worth exploring and recording in some way.


What a design feast for the eyes: everywhere you looked there were trees in shades of rust, yellow, and chartreuse, magnificently rugged slopes and draws, silvery sagebrush, and olive green junipers. In my mind, there are no finer gardens in the world.


I shot 252 photographs with my new little digital camera, and one with my old film camera. Guess I’ve finally turned the corner into the new world of image-making, after some prolonged foot-dragging.


This is the country I explored back in mid-April for my Sunday Drive blog. I think each time of the year has something different and valuable to offer the visual artist. Though I’ve made this journey many, many times, I always see something different. It may be the color of the grass, the sky or trees, the way the light is shining, or the shadows falling, but there is always something that has not yet been captured.




I’ve heard more than one person from this region say how much the movie “Dances With Wolves” affected them. There on the huge screen, in all its undulating glory, was their homeland of immense, grassy, golden, glistening hills and wide blue skies. I was living in Taos, New Mexico when I saw it, and it really did tug at my heart to see the Dakota prairies portrayed with such beauty and scale. I think it might have been the first time that some people out here realized that they were living in such awesome country.




I remember when I was moving back to Bowman from Taos, looking out at the hills of North Dakota, and realizing just how grassy this country is. It was something that I had not really thought about before, and just took for granted, I guess. The grass is a pale, washed-out color this year, due to the extremely dry conditions on the range. Rain is much needed and wanted out here, along with some good snowfalls.

Some years ago, I was out near these hills with my film camera, on a day of peak color like this year. After getting my slides back, I was really taken with the graceful sloping lines of the background. I didn’t compose the shots very well, and cropped off too much of the top. So this time, I made sure I got enough of the curving elements to make up for the past shoot. It’s not always easy to get out in the Badlands right at the time when the colors and leaves are at their best.

This series of photos stretches from left to right, taking in the whole length of this tree line. My camera has a panoramic stitching feature, which will be fun to try someday. For now, I just tape all the segments together when I want to make a long, horizontal drawing based on my photographic studies.




Here I’ve gone back and shot the tops of the hills, making sure I got some nice sloping lines to work with later.

I love the shape of this cottonwood on the left side of the picture, and have photographed it in other seasons as well.

Out here, we don’t get the wide, dramatic range of colors that they do in places like Minnesota, Wisconsin, and Vermont, but the palette in this scene does venture into the red and orange spectrum.


Here’s the cottonwood moved over into the other side of the picture frame. Sometimes it’s hard to know just where to place things, so I just shoot a variety of compositions, and look them over at my leisure.

While I was shooting these slopes and trees, I spotted a couple of mule deer running through the scene. One stopped and stared back at me for quite a while from behind one of the ridges. As I was watching the deer, a local rancher stopped and invited me to their place just off the East River Road for a visit with his wife and him. So, I proceeded up to the Burning Coal Vein, then pulled off for an enjoyable talk at one of the most beautiful ranch sites in the country. Nice way to spend the middle of a September day.


Two views from the Burning Coal Vein area, one of my all-time favorite spots. While I was driving through here, I noticed a bunch of pink plastic ribbons tied to various objects. I wonder if they indicate the route of the extended Maah Daah Hey Trail.

I love the Rocky Mountain junipers that dot the hills of the North Dakota Badlands. They remind me of the cypress trees in Vincent Van Gogh’s paintings. Boy, I wonder what he would be inspired to create from this magical country!



Well, that’s all I could manage to post of the September Badlands for today. Will try to get more images ready soon; some of buffalo, deer, the town of Medora, and Theodore Roosevelt National Park. Hope you enjoyed the view as much as I did!